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This involved painting the scene or ‘motif’ outside and in one sitting. The object of Realism was to capture a certain period of day in order to depict the effect of different natural light on a specific scene. The inspiration for Monet for Impression: Sunrise was the effects of the rising sun on a scene.
One of them was a landscape painter who, while looking at this work, exclaimed: ‘Impressionism, I knew it; after all I’m impressed so it must be an impression…
What freedom! What ease of workmanship!
Wallpaper in its embryonic state is more finished than this seascape!’ The article was entitled ‘The Exhibition of the Impressionists’,
and the label stuck thereafter, as well as being used by such other critics of the exhibition as Castagnary.
This work was painted from a hotel window at Le Havre in 1873 (Monet later dated it incorrectly to 1872). It was one of the nine works that he showed at the First Impressionist Exhibition of 1874.
Of all those displayed there, this is probably the most famous picture, not so much because of any crucial status within Monet’s oeuvre, but rather for the criticism it attracted from the reviewers, which gave rise to the name of the movement.
On 25 April, ten days after the exhibition had opened, an article appeared in the satirical journal Le Charivari in which the critic Louis Leroy described a fictitious conversation between two visitors
Despite its notoriety the painting is in some ways untypical of Monet’s own work of this period and of Impressionism more generally. It shows little of the Impressionist treatment of light and color.
In some places the canvas is even visible and the only use of impasto is in the depiction of the reflected sunlight on the water.
The painting is strongly atmospheric rather than analytical and has a spirit somewhat akin to Turner’s works. Nevertheless, it does illustrate particularly well one of the features of Impressionist painting that was thought so revolutionary.claude monet impression sunrise elements and principles
The Iconic Claude Monet Painting Series “Water-Lilies”
Claude Monet’s water-lilies series is the largest and most famous series of them all. In total, Monet painted around two hundred and fifty oil paintings depicting the water-lilies from his water pond in his Giverny garden.
Today, Impressionism remains one of the most popular and prevalent types of painting. Considered the catalyst of modern art, the Impressionist genre has played a pivotal role in art history, with its influence evident in a range of artistic practices.
Having left such an important legacy, you may be wondering what could have set such a monumental movement in motion. Unlike most genres, which develop over time, Impressionism is believed to have to started in the 1870s with a single work: Impression, Sunrise, a light and airy landscape painting by none other than Claude Monet.
The port of Le Havre was the location that inspired Monet to paint the work that would become synonymous with the Impressionist movement. Le Havre itself is a city situated in the north west of France near the mouth of the river seine. It is this expanse of water that inspired Monet to paint Impression: Sunrise.
In 1840, Claude Monet was born in Paris, France. When he was five years old,
his family relocated to Le Havre, a seaside town in Normandy. Here, Monet developed his interest in art,
which was fostered by his enrollment in an art school in 1851. Even as an adolescent, Monet’s work was popular; locals would regularly purchase his prized charcoal studies.
In 1856, under the mentorship of fellow future Impressionist Eugène Boudin, Monet began dabbling in oil paints and painting en plein air, or outdoors—two habits that he would maintain for the rest of his life.
“I have never had [a studio]” Monet confided, ” and personally I do not understand why anybody would want to shut themselves up in some room. Maybe for drawing, sure; but not for painting.”
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