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what year was goodfellas released?

what year was goodfellas released?

what year was goodfellas released?

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what year was goodfellas released?
what year was goodfellas released?

‘Goodfellas’ still going strong after 30 years

In the painting, a man with white hair and beard, his left hand steering an outboard motorcycle, is piloting a small boat through a narrow waterway. Two dogs are along for the ride in the open air.

One dog is looking one way. The other dog is looking the other way.

This painting hangs in screenwriter Nicholas Pileggi’s New York City apartment. His mother drew it from a picture in National Geographic magazine.

For 30 years, after being briefly displayed in Martin Scorsese’s 1990 movie Goodfellas, the painting has been popular among film fans. Scorsese’s own mother, Catherine, playing the parent of a volatile New York City mobster, shows the painting to her son and two of his underworld associates at the dinner table in her modest home. A near-dead victim is in the trunk of the gangsters’ car outside. Soon they will finish him off.

But first, the painting.

Looking at his mom’s artwork over an impromptu late dinner, Tommy (Joe Pesci), says, “I like this one. One dog goes one way, and the other dog goes the other way.”

“One is going east,” the mother says, “and the other one is going west. So what?”

The painting’s place in movie lore is a testament to Goodfellas’ continued popularity, as the film celebrates its 30th anniversary this month. Other memorable moments from the movie — the deadly “shine box” insult, the “funny how?” scene — also have become part of popular culture.

It wasn’t always this way

Even with a major star like Robert De Niro in the film, Goodfellas was panned before it hit movie theaters.

A California test audience gave it the worst preview grades in Warner Brothers’ history at the time.

prompting the studio to consider recutting some of the violent scenes, according to The Ultimate Book of Gangster Movies by George Anastasia and Glen Macnow.

The movie, based on Pileggi’s 1985 true-crime book Wiseguy, ultimately was released without changes.

The book and movie focus on Henry Hill, who, beginning during his youth in Brooklyn, joined up with mobsters in his working-class neighborhood, later becoming a government informant and entering the Witness Protection Program. Christopher Serrone plays the young Henry Hill, while Ray Liotta portrays Hill as an adult.

Goodfellas did not win

Goodfellas did not win the Best Picture Oscar the year it was nominated. That went to Dances With Wolves, starring Kevin Costner. But since then, Goodfellas has taken off, ranked by many critics and fans with the first two Godfather movies as the best Mafia films of all time. In The Ultimate Book of Gangster Movies, the authors call Goodfellas “a brilliant movie packed with dozens of colorful characters.”

“Word of mouth and strong reviews helped it develop legs,” the authors note.

what year was goodfellas released?
what year was goodfellas released?

Though a lower-level Mob associate during much of his active criminal life, Hill, because of Pileggi’s book and the movie, became a well-known figure.

Several other books since then have come out that Hill wrote with different authors, including a cookbook, a guide to Goodfellas-related locations in New York, and a book about his experiences in the Witness Protection Program.

“My life in the Mob made me famous,” Hill says in the 2004 book Gangsters. and Goodfellas, written with Gus Russo, author of The Outfit and a Mob Museum Advisory Council member.

in 2012

Hill, who died in 2012 at age 69, continues to generate interest. His paintings can be found for sale online, and new books about the world he lived in are still being released.

Some books focus less on Hill and more on one of the key parts of the movie’s plot, the December 1978 Lufthansa Airlines heist at John F. Kennedy International Airport in New York.

(Hill supposedly was in Boston at the time of the heist, orchestrating a college basketball point-fixing scheme.)

The Goodfellas mystique continues to grow. A book released this month, Made Men:

The Story of Goodfellas, by film critic Glenn Kenny, examines in detail how the movie came together, exploring scene development.

technical aspects and casting decisions. A postscript at the back of Made Men provides a summary of books in the “Goodfellas Library.”

be popular

In response to an email, Kenny, who writes for the New York Times and other outlets, said Goodfellas continues to be popular “because it’s so good.”

He said the movie is “funny, harrowing, beautifully made, beautifully performed.”

“Despite the awful things the characters do, and a lot of their awful attitudes — their racism, homophobia, disregard for others, all that and more — Henry Hill and company are presented as real, three-dimensional people with ‘relatable’ aspects,” Kenny said in the email. “Some of the people in the movie you feel like you automatically know. Others you hope you will never meet!”

Kenny noted that the movie also…

Kenny noted that the movie also has an “endless series of quotable scenes and bits, from ‘How am I funny?

’ to Henry’s whine of ‘Karen!’ to Paulie’s ‘And now I gotta turn my back on you.’”

Scorsese, who has directed several movies with Mafia figures either in the forefront or on the periphery, including Mean Streets and Raging Bull, is one of the top two Mob movie directors in the industry, Kenny said.

“I still think the first two Godfather movies hold up well enough that I’d have to say that Scorsese and Coppola are tied as the best Mob movie directors ever,”

he said in the email. “They both come from similar places — while Coppola wasn’t a New York fella, he has a similar family background to Scorsese.

at least with respect to the Italian-American experience. Their roots give their observations and instincts a depth that no American directors looking at the Mob could ever hope for.

And I think that the Godfather movies complement not only Goodfellas but also Mean Streets and Raging Bull. They’re unique, vivid pictures of times and ways of life that are gone forever but never stop gripping us.”

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